Spirit Notepad 4Ch  
The notepad is ideal for small events requiring four or less channels. Its high-quality components and advanced design make it suitable for post production or live use, while its ergonomic layout makes the Notepad very easy to use.  
           
Mike/Line Inputs 4 Stereo Inputs 2    
EQ 2 Band Pre Fade Aux 0    
Post Fade Aux 1 FX Return 0    
Phantom Power 1 Phase Return 0    
Routing Groups 0 PFL 0        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £10
Oscilator 0         Weekend £20
            Week £30
Quantity in hire stock 2         Month £114
               
Spirit Folio SX 12Ch  
Spirit SX is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It includes 12 inputs all with direct outs and inserts. In addition to mix outs, two sub-buses allow groups of instruments to be sent to mix or as a second stereo output. There are also four stereo inputs two with level control routable to mix or group and two with full channel facility and two band eq. There are 3 auxiliary sends, 1 of which is pre fade, 1 which is post fade and 1 of which can be assigned pre- or post-fader making them equally useful for monitor-heavy live mixes or effects-heavy recording. In addition, there is a separate Mono Output. 100mm faders are used through out giving more accurate control at mixdown and all pots have been custom designed to give even and consistent response around the entire sweep.  
           
Mike/Line Inputs 12 Stereo Inputs 4    
EQ 3 Band Swept Mid Pre Fade Aux 2    
Post Fade Aux 1 FX Return 0    
Phantom Power 1 Phase Return 0    
Routing Groups 2 PFL 1        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £16
Oscilator 0         Weekend £32
            Week £48
Quantity in hire stock 4         Month £182
               
Spirit LX7  
The LX7 combines the essential Soundcraft live mixer qualities with basic recording-oriented features, and is equally at home in live or recording use. 4 groups and a dedicated mono bus for centre speaker clusters, side or rear fills. LX7's balanced mic inputs all use Ultramic preamps, providing 60dB of gain range and 22dBu of headroom. Each input also includes 4 band EQ with two swept mid frequency controls. In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter. The six auxiliary sends are pre-post switchable in pairs from each channel, providing a maximum of 4 pre-fader and six post-fader. This makes LX7 equally applicable for foldback or effects. Two further stereo inputs with EQ, and two auxiliaries are suitable for playback inputs two FX returns complete the input line up. The four sub groups are routable to mix and include 12 segment bargraph metering for accurate monitoring. Six auxiliary masters on rotary controls allow overall control of auxilary outputs, AFL soloing is also available. In the master section there is talkback provision to all pre-fade auxiliaries and the mix. Global phantom power and a two track return for pre-show music are also present. A "two-track" to mix switch allows the engineer to play CD's over the main PA whilst back-stage set-up is going on, with one press of a button. The mix is also routable to the separate mono bus if mono feeds are required.  
           
Mike/Line Inputs 24 Stereo Inputs 2    
EQ 4 Band 2 Swept Mids Pre Fade Aux 4    
Post Fade Aux 2 FX Return 2    
Phantom Power 1 Phase Return 0    
Routing Groups 4 PFL 1        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £30
Oscilator 0         Weekend £60
            Week £90
Quantity in hire stock 2         Month £342
               
Spirit Live 8 40Ch  
The Spirit 8 is the ultimate Spirit Range live console, a full-featured 8-bus desk that combines a comprehensive range of professional control and routing facilities. The Spirit Live 8 featuring eight subgroups for routing sets of channels together, giving you fewer faders to ride when balancing the overall mix. The EQ on mono channels is a 4-band configuration with two swept mids, with six aux sends. All mono inputs also feature pre-fade listen, 100mm linear faders, insert points, direct channel outputs, individually switchable +48V phantom power, phase reverse, EQ in/out switching and a hi-pass filter. The stereo inputs feature shelving 2-band EQ and six aux sends. It also has a 10x2 matrix in the master section, making it easier to deal with multi-speaker systems in theatre sound reinforcement. The main stereo XLR outputs are ground compensated with insert points and a separate mono output is available to feed a centre speaker cluster.  
           
Mike/Line Inputs 40 Stereo Inputs 2    
EQ 4 Band 2 Swept Mids Pre Fade Aux 4    
Post Fade Aux 2 FX Return 2    
Phantom Power 1 Phase Return 1    
Routing Groups 8 PFL 1        
Mute Groups 4 Midi/Logic Mute 0        
Matrix 10X2 Talkback 0     Day £70
Oscilator 0         Weekend £140
            Week £210
Quantity in hire stock 1         Month £798
               
Spirit Monitor2 32Ch  
The Monitor 2 combines all the necessities of a professional monitor desk with elegant design features aimed at speed and clarity in use - such as Split outputs that allow easy connections to a FOH mixer without using splitter leads. The Monitor 2 is flexible enough to perform FOH mixing where no other mixer is available. The Spirit Monitor 2 has twelve sends including two stereo pairs specifically for in-ear monitoring. All Monitor sends are pre-post fader switchable and, in addition, each input has a built-in mic splitter, negating the need for dedicated splitter boxes on stage. Monitor 2 has 4 band EQ section with two mid-swept frequencies on every input, plus EQ in-out switches. Other features include a DIM Switch, alleviating feedback problems by immediately attenuating each monitor output by 6dB, two dedicated effects returns and two house mic inputs, allowing performers with in-ear monitors to hear the audience and effects as part of their mix.  
           
Mike/Line Inputs 32 Stereo Inputs 0    
EQ 4 Band 2 Swept Mids Pre Fade Aux 12    
Post Fade Aux 0 FX Return 0    
Phantom Power 1 Phase Return 1    
Routing Groups 0 PFL 1        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £68
Oscilator 0         Weekend £136
            Week £204
Quantity in hire stock 1         Month £775
               
Soundcraft K3 Theatre 40Ch  
This modular 8-bus mixer has been designed to satisfy today?s requirements for high quality mid-range sound reinforcement consoles. That means advanced mute scene setting and MIDI control, plus console features, such as sophisticated and precise EQ, input metering, an advanced solo system, and eight pre/post auxiliaries. If your monitoring requirements are more complex then you can team the K3 Theatre up with Soundcraft?s SM12 monitor console, which provides the flexibility of 14 foldback mixes. K3 Theatre delivers an unprecedented degree of mixing control in a versatile package that will integrate into a wide range of live and installed sound situations. The compact frame with its low sightline will fit in almost anywhere, and ensures excellent visibility from the mixing position.  
           
Mike/Line Inputs 40 Stereo Inputs 4    
EQ 4 Band Semi Parametric Pre Fade Aux 8    
Post Fade Aux 0 FX Return 4    
Phantom Power 1 Phase Return 1    
Routing Groups 8 PFL 1        
Mute Groups 0 Midi/Logic Mute 1        
Matrix 12X4 Talkback 1     Day £90
Oscilator 0         Weekend £180
            Week £270
Quantity in hire stock 1         Month £1026
               
Soundcraft SM12 40Ch  
The SM12 is a full-spec professional monitor console offering twelve mono plus one stereo sends for use in touring or fixed applications and has become an industry standard. The SM12 offers the high level of facilities found on the world?s top monitor consoles. Soundcraft?s advanced solo system speeds up soundchecks and reduces the risk of feedback; instant pre-post switching allows more flexible mix arrangements, and a four-band overlapping sweep EQ gives optimum control of each sound source. The SM12 works equally well as a front-of-house mixer. In fact, with logical sub-grouping and an advanced solo system, the SM12 out-performs many traditional front-of-house consoles.  
           
Mike/Line Inputs 40 Stereo Inputs 0    
EQ 4 Band Semi Parametric Pre Fade Aux 12    
Post Fade Aux 0 FX Return 0    
Phantom Power 1 Phase Return 1    
Routing Groups 0 PFL 1        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 1     Day £110
Oscilator 0         Weekend £220
            Week £330
Quantity in hire stock 1         Month £1254
               
Allen & Heath Mix Wizard WZ3 16:2 16Ch  
The WZ3:16:2 is a versatile, easy to use 16 mic/line channel mixer. Dedicated mono output fader with innovative mode for control of aux fed subs. Independent A-B output to feed any number of applications including a 2-track recorder, monitor foldback or speaker fills. 16 mic/line inputs with balanced XLR/TRS jack, and direct output. 100mm Faders - throughout, 4-band EQ - comprehensive equalisation with 2 sweepable mids, 6 auxiliary sends - 2 pre, 2 switched, 2 post fade, 2 stereo returns - on TRS jack. Metering - Twin 3-colour, 12 segment bargraph follow selected monitor source, channel signal and peak LEDs Onboard FX - 16 FX programs with external editing software connected via MIDI.  
           
Mike/Line Inputs 16 Stereo Inputs 0    
EQ 4 Band 2 Swept Mids Pre Fade Aux 4    
Post Fade Aux 2 FX Return 0    
Phantom Power 1 Phase Return 0    
Routing Groups 0 PFL 1        
Mute Groups 0 Midi/Logic Mute 0        
Matrix Talkback 0     Day £30
Oscilator 0         Weekend £60
            Week £90
Quantity in hire stock 1         Month £342
               
Yamaha 01V96V2 16Ch  
The 01V96 brings you the same performance and reliability of Yamaha's bigger consoles in a smaller format that's perfect for smaller professional studio production or live use. Still, it has a maximum 40-channel input capacity and can be cascaded for applications that require more. And, of course, 24-bit/96-kHz operation is standard. Mixer functions and effects are all inherited from the top-of-the-line DM2000. The mixer features precise 24-bit/96-kHz Audio and High-performance Head Amps, 40-input 18-bus Mix Capacity at 96 kHz, All 40 input channels include four-band parametric EQ and up to 452 milliseconds of delay with variable feedback, while all channels except for stereo inputs 1 through 4 also provide a gate and compressor/limiter. What's more, all of this functionality is available at 96 kHz. The output section also offers plenty of versatility with 18 buses: 8 group buses, 8 auxiliary buses, and a stereo bus. Versatile Connectivity and Expandability for a Wide Range of ApplicationsInputs 1 through 12 feature high-performance head amps that accept microphone and line-level sources, with 20-dB pads, -60 to -16 dB gain trim and balanced XLR and TRS phone jack connectors. Phantom power is switchable in 4-channel groups. Inputs 13 through 16 accept line-level sources via balanced TRS phone jacks, with trim adjustable from -20 to +10 dB as two stereo pairs or four independent mono channels. Four Advanced Multi-effect Processors at 44.1/48 kHz, or Two at 88.2/96 kHzIn 44.1/48 kHz mode the 01V96 offers four high-performance stereo multi-effect processors that deliver the same quality as the effect processors provided on the DM2000, 02R96 and DM1000. A total of 44 presets include reverb, delay, chorus, and distortion programs. Original effect settings can be stored to any of 76 user library locations. The internal effects can be patched as send/return or insert type effects. Comprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory KeysA large 320 x 240 pixel LCD display clearly displays parameters and metering. 16 faders provide access to the console's 32 mono channels in two layers.  
           
Mike/Line Inputs 16 Stereo Inputs 2    
EQ 4 Band Semi Parametric Pre Fade Aux 6    
Post Fade Aux 2 FX Return 2    
Phantom Power 1 Phase Return 1    
Routing Groups 8 PFL 1        
Mute Groups 8 Midi/Logic Mute 0        
Matrix Talkback 0     Day £42
Oscilator 0         Weekend £84
            Week £126
Quantity in hire stock 1         Month £478
               
Yamaha LS9 32  
The LS9 series consoles follow in the distinguished footsteps of the M7CL. The LS9 consists of the 32-mic/line input While being compact and light enough for one person to move and set up easily. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound.  
           
Mike/Line Inputs 32 Stereo Inputs 4    
EQ 4 Band Semi Parametric Pre Fade Aux 8    
Post Fade Aux 8 FX Return 0    
Phantom Power 1 Phase Return 1    
Routing Groups 16 PFL 1        
Mute Groups 0 Midi/Logic Mute 1        
Matrix 8x8 Talkback 0     Day £115
Oscilator 0         Weekend £230
            Week £345
Quantity in hire stock 2         Month £1311
               
Yamaha M7CL 48Ch  
The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic?" control interface that makes it as easy and intuitive to use as an analog console. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. Centralogic? is an innovative Yamaha approach to console operation that allows total control from an easily accessible central area. Blocks of eight channels can be brought to the center of the console via simple navigation keys, and operated via a central interface including a touch-panel display and encoders directly below the display. Yamaha's acclaimed Selected Channel interface is also implemented, providing a range of operating options that make this advanced digital console as easy and intuitive as an analog console to use in live sound applications. Visually Familiar Control EnvironmentThe M7CL has been designed to offer a visually familiar, comprehensive control environment. Every aspect of the console, from the layout of the navigation keys to the advanced graphic on-screen features including channel name icons and a virtual rack for EQ and effects, provides visual cues that let you operate major system functions without having to refer to a manual. And with the touch-panel display you can simply reach out and operate functions as if they were physical controls. The M7CL integrates everything you need for top-quality live sound with an intuitive interface that makes the transition from analog to digital a real pleasure. Advanced Channel Functionality with a Logical Access StructureThe M7CL provides all the functions you'd expect on a top-level live sound console, organized in a logical three-tiered hierarchy that makes operation exceptionally smooth and efficient. Every input channel has a physical fader, ON switch, and meter that are visible and operable at all times. Major mix functions such as input gain, EQ, auxiliary sends, dynamics, and more are directly accessible via the Selected Channel and Centralogic? interfaces. Functions that are not required for real-time operation during a performance are located one level below. This configuration keeps the interface as simple as possible while allowing full, unimpeded access to performance-critical functions. The input channels include a 72-dB "recallable" head amp, phantom power, phase switching, a HPF, four-band fully-parametric EQ, and LCR panning capability. Each channel also offers two types of EQ, two dynamics processors, digital attenuation/gain that takes advantage of the console's extra bit length for maximum signal-to-noise ratio, flexible metering points, insert points, and direct outputs with -8 ~ +10 dB level adjustment. It all adds up to functionality and ease of use that go way beyond conventional analog consoles. Sophisticated Effects and GEQIn addition to its already impressive array of mix functions, the M7CL features a "virtual" 8-unit rack that can be loaded with up to four effects and four graphic equalizers, or you can use fewer effects and have up to eight graphic equalizers operating simultaneously. The 48 effects provided include Yamaha's outstanding REV-X reverb effects. You can use either "standard" single-channel 31-band graphic equalizer units, or innovative Flex15 GEQs that provide two channels of equalization with which you can control up to 15 bands at 31-band bandwidths. With the virtual rack loaded with eight Flex15 GEQ units you have 16 channels of high-performance graphic EQ! EQ bands can be directly controlled via the Centralogic? faders for intuitive tactile operation. Eight DCA Groups and Eight Mute GroupsEight DCA (Digitally Controlled Amplifier ? similar to VCAs on an analog console) groups and eight mute groups afford considerable grouping and muting versatility. DCA group master control can be assigned to the console's Centralogic ? faders, while mute groups can be assigned to the User Defined Keys as required. Channel linking is another powerful grouping feature, allowing specified groups of faders and functions to be linked for simultaneous control.  
           
Mike/Line Inputs 48 Stereo Inputs 4    
EQ 4 Band Semi Parametric Pre Fade Aux 8    
Post Fade Aux 8 FX Return 4    
Phantom Power 1 Phase Return 1    
Routing Groups 16 PFL 1        
Mute Groups 0 Midi/Logic Mute 1        
Matrix 8X8 Talkback 1     Day £230
Oscilator 1         Weekend £460
            Week £690
Quantity in hire stock 1         Month £2622