A range of professional speakers with stunning audio performance. All U2M speakers are maintained to the highest standard to retain their "as new" look, especially important in AV and presentation situations.
D&B speaker systems for concert audio touring.
A range of world class foldback speaker systems to compliment FOH systems for touring.
Passive Speakers for AV presentations, pro-audio playback and live music reproduction.
| DAP SH15 |
|
|
|
|
|
|
 |
| Square trumpet horn 380 x 230mm. The SH-15 is a horn specially designed for use in application where sound needs to be projected over large areas. Can be fitted with a 35w, 60w or 80w transducer please specify. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 2" |
1 |
N/A |
N/A |
80W RMS |
|
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 380mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 285mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 228mm |
|
Weight |
2kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£4 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£8 |
| |
|
|
|
|
|
|
|
|
Week |
£12 |
| |
|
|
|
|
|
|
|
|
Month |
£45 |
| |
|
|
|
|
|
|
|
|
|
| DAP TH16 |
|
|
|
|
|
|
 |
| Round trumpet horn 400mm diameter. Designed to give maximum dispersion in large areas. Can be fitted with a 35w, 60w or 80w transducer please specify. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 2" |
1 |
N/A |
N/A |
80W RMS |
|
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 407mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 407mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 325mm |
|
Weight |
2kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£4 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£8 |
| |
|
|
|
|
|
|
|
|
Week |
£12 |
| |
|
|
|
|
|
|
|
|
Month |
£45 |
| |
|
|
|
|
|
|
|
|
|
| Mackie SRM-450 |
|
|
|
|
|
|
 |
| The SRM450 was the first portable active 2-way loudspeaker with onboard bi-amplification, active crossovers, time-correction and renowned Mackie sound quality. The SRM450 delivers accurate bass down to 55Hz; midrange that's free
from ear-fatiguing harshness; and detailed treble out to 18kHz. Better still, the
SRM450 offers astonishingly wide dispersion that lets the whole audience hear
clearly. The SRM450s effortlessly achieve sound pressure levels beyond the scope
of other look-alike portable systems. Due to its asymmetrical trapezoidal shape it
is also ideal as a powered monitor. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 15" |
1 |
55Hz - 18kHz |
98dB |
450W RMS |
|
|
|
| 1.75 |
1 |
Active |
106dB |
|
|
|
|
| Dimensions |
Height 660mm |
|
Nominal |
90?° |
|
|
|
| |
|
Width 390mm |
|
Dispersion |
45?° |
|
|
|
| |
|
Depth 376mm |
|
Weight |
18kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£12 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£24 |
| |
|
|
|
|
|
|
|
|
Week |
£36 |
| |
|
|
|
|
|
|
|
|
Month |
£136 |
| |
|
|
|
|
|
|
|
|
|
| JBL EON-15 G2 |
|
|
|
|
|
|
 |
| The EON 15 G2 is designed for live sound reinforcement, speech, vocals, and music playback audio quality and portability Amplification, mixing, and monitoring for
electronic musical instruments are on board. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 15" |
1 |
42Hz - 17Hz |
98dB |
400W RMS |
|
|
|
| 1.75 |
1 |
Active |
106dB |
|
|
|
|
| Dimensions |
Height 686mm |
|
Nominal |
90?° |
|
|
|
| |
|
Width 430mm |
|
Dispersion |
60?° |
|
|
|
| |
|
Depth 444mm |
|
Weight |
21kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£12 |
| Quantity in hire stock |
2 |
|
|
|
Weekend |
£24 |
| |
|
|
|
|
|
|
|
|
Week |
£36 |
| |
|
|
|
|
|
|
|
|
Month |
£136 |
| |
|
|
|
|
|
|
|
|
|
| Mackie SWA 1801 |
|
|
|
|
|
|
 |
| The Mackie SWA1801z ups the ante for use with the SRM - 450 (or any other top cab) featuring an internal 800-Watt amplifier and a high-precision 18" transducer. Onboard Mackie Active electronics ensure seamless integration of the amplifier and transducer at all times, creating a system that is highly efficient and versatile. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 18" |
1 |
45Hz - 120Hz |
106dB |
800W RMS |
|
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 724mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 597mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 597mm |
|
Weight |
60kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£16 |
| Quantity in hire stock |
2 |
|
|
|
Weekend |
£32 |
| |
|
|
|
|
|
|
|
|
Week |
£48 |
| |
|
|
|
|
|
|
|
|
Month |
£182 |
| |
|
|
|
|
|
|
|
|
|
| JBL JRX115 |
|
|
|
|
|
|
 |
| The JRX115 is a portable, fifteen-inch, two-way speaker system designed with live
sound, dance music and speech reinforcement in mind. It shares all other qualities of it's smaller brother the JRX112 with extended low frequency response and power. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 15" |
1 |
50Hz - 16kHz |
98dB |
250W RMS |
8 |
|
|
|
1 |
Passive |
|
|
|
|
|
| Dimensions |
Height 699mm |
|
Nominal |
90?° |
|
|
|
| |
|
Width 460mm |
|
Dispersion |
50?° |
|
|
|
| |
|
Depth 432mm |
|
Weight |
27kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£10 |
| Quantity in hire stock |
8 |
|
|
|
Weekend |
£20 |
| |
|
|
|
|
|
|
|
|
Week |
£30 |
| |
|
|
|
|
|
|
|
|
Month |
£114 |
| |
|
|
|
|
|
|
|
|
|
| JBL JRX112M |
|
|
|
|
|
|
 |
| The JRX112M is a portable, twelve-inch, two-way speaker system designed specifically for live performance stage monitoring applications. With enough sensitivity and power handling to cut through the performance volume onstage,
the JRX112M has a smooth response so it can deliver maximum gain before
feedback. It also includes JBL's dual-angle pole socket making it equally at home
as a front-of-house speaker. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 12" |
1 |
60Hz - 16kHz |
99dB |
250W RMS |
8 |
|
|
|
1 |
Passive |
|
|
|
|
|
| Dimensions |
Height 572mm |
|
Nominal |
90?° |
|
|
|
| |
|
Width 394mm |
|
Dispersion |
50?° |
|
|
|
| |
|
Depth 318mm |
|
Weight |
20kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£8 |
| Quantity in hire stock |
8 |
|
|
|
Weekend |
£16 |
| |
|
|
|
|
|
|
|
|
Week |
£24 |
| |
|
|
|
|
|
|
|
|
Month |
£91 |
| |
|
|
|
|
|
|
|
|
|
| JBL JRX118s |
|
|
|
|
|
|
 |
| The JRX118S is driven by a massive JBL 18" woofer with a cast frame and 3" voice-coil. This is an excellent partner to either the JRX112 or JRX115 when a lot of bass is required. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 18" |
1 |
38Hz - 300Hz |
96dB |
350W RMS |
4 |
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 605mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 508mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 551mm |
|
Weight |
32kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£10 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£20 |
| |
|
|
|
|
|
|
|
|
Week |
£30 |
| |
|
|
|
|
|
|
|
|
Month |
£114 |
| |
|
|
|
|
|
|
|
|
|
| D&B C7 Top |
|
|
|
|
|
|
 |
| The C7-TOP is a two-way horn loaded loudspeaker that exhibits true constant directivity above a frequency of 600 Hz, ensuring equal sound within the coverage area. The bass-reflex design of the low end allows the C7-TOP to be used without a subwoofer. Where a more powerful PA system is required a C7-TOP can be stacked with two C7-SUBs. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 15" |
1 |
68Hz - 18kHz |
134dB |
200W RMS |
8 |
|
|
| 1.5 |
1 |
|
|
|
|
|
|
| Dimensions |
Height 580mm |
|
Nominal |
75?° |
|
|
|
| |
|
Width 580mm |
|
Dispersion |
40?° |
|
|
|
| |
|
Depth 726mm |
|
Weight |
52kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£26 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£52 |
| |
|
|
|
|
|
|
|
|
Week |
£78 |
| |
|
|
|
|
|
|
|
|
Month |
£296 |
| |
|
|
|
|
|
|
|
|
|
| D&B C7 Sub |
|
|
|
|
|
|
 |
| The C7-SUB is a bass-reflex subwoofer specifically designed for use with the C7-TOP providing dynamic performance with high impulse program, a tight full sound and high efficiency. Its extra large bass-reflex tunnel guarantees high sound pressure while minimizing power compression and air turbulence noise. It can also be used in combination with the Q7, C6 & E3 to provide a powerful system for live music reinforcement. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 18" |
1 |
44Hz - 140Hz |
131dB |
400W RMS |
8 |
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 740mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 580mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 620mm |
|
Weight |
49kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£16 |
| Quantity in hire stock |
8 |
|
|
|
Weekend |
£32 |
| |
|
|
|
|
|
|
|
|
Week |
£48 |
| |
|
|
|
|
|
|
|
|
Month |
£182 |
| |
|
|
|
|
|
|
|
|
|
| D&B Q7 Top |
|
|
|
|
|
|
 |
| The Q7 is a 75? x 40? passive two-way loudspeaker housing two 10" LF drivers and a 1.3" HF compression driver with a rotatable constant directivity horn. The Q7 can be used as a stand-alone full range system, in combinations with the C7 Sub, or mounted on a high stand with a swivel bracket. They can also be combined in flown array systems. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 10" |
2 |
55Hz - 18kHz |
134dB |
200W RMS |
8 |
|
|
| 1.3 |
1 |
|
|
|
|
|
|
| Dimensions |
Height 580mm |
|
Nominal |
75?° |
|
|
|
| |
|
Width 308mm |
|
Dispersion |
40?° |
|
|
|
| |
|
Depth 410mm |
|
Weight |
22kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£32 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£64 |
| |
|
|
|
|
|
|
|
|
Week |
£96 |
| |
|
|
|
|
|
|
|
|
Month |
£364 |
| |
|
|
|
|
|
|
|
|
|
| D&B Q10 Top |
|
|
|
|
|
|
 |
| The Q10 is a 110? x 40? passive two-way loudspeaker housing two 10" LF drivers and a 1.3" HF compression driver with a rotatable constant directivity horn and a passive crossover network. The two 10" neodymium LF drivers are positioned in a dipolar arrangement providing exceptional vertical dispersion control with the nominal angle being maintained down to 400 Hz. The Q10 can be used as a stand-alone full range system or in combinations with other Q-Series cabinets ground stacked, or mounted on a high stand with the Q Flying bracket. When used in the upright configuration it has a very accurate 110? horizontal constant directivity behaviour that is maintained down to approximately 800 Hz. Its wide constant directivity performance provides remarkable transparency when used in close proximity to listeners. It is also ideally suited to ambient and /or distributed sound reinforcement tasks where orientation within the sound field is critical. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 10" |
2 |
60Hz - 17kHz |
133dB |
400W RMS |
8 |
|
|
| 1.3 |
1 |
|
|
|
|
|
|
| Dimensions |
Height 580mm |
|
Nominal |
110?° |
|
|
|
| |
|
Width 308mm |
|
Dispersion |
40?° |
|
|
|
| |
|
Depth 410mm |
|
Weight |
22kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£32 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£64 |
| |
|
|
|
|
|
|
|
|
Week |
£96 |
| |
|
|
|
|
|
|
|
|
Month |
£364 |
| |
|
|
|
|
|
|
|
|
|
| D&B Q Sub |
|
|
|
|
|
|
 |
| The Q-SUB is an actively driven low compression bass-reflex loudspeaker fitted with a high excursion 18" driver. d&b SenseDrive technology is available when powered by the D12 amplifier. The Q-SUB is mechanically compatible with the Q7; ten sockets in the front grill and side panels for Q-Series rigging components permit use in various combinations, either flown or ground stacked. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 18" |
1 |
40Hz - 130Hz |
129dB |
400W RMS |
8 |
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 493mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 580mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 668mm |
|
Weight |
42kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£21 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£42 |
| |
|
|
|
|
|
|
|
|
Week |
£63 |
| |
|
|
|
|
|
|
|
|
Month |
£239 |
| |
|
|
|
|
|
|
|
|
|
| D&B E3 Top |
|
|
|
|
|
|
 |
| The E3 is an extremely small and versatile high performance system with astonishing sound and excellent headroom. The horn, which may be rotated to give either 90? x 60? or 60? x 90? coverage. Ideal for delay, infill or distributed sound reinforcement applications. In addition, it can be used as an extremely compact stage monitor. Together with a subwoofer system the E3 is also capable of reproducing live or playback music at continuously high SPLs. The E3 can be deployed in almost any position using it?s M8 fixings. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 6.5" |
1 |
55Hz - 18kHz |
122dB |
200W RMS |
8 |
|
|
| 1 |
1 |
|
|
|
|
|
|
| Dimensions |
Height 352mm |
|
Nominal |
90?° |
|
|
|
| |
|
Width 190mm |
|
Dispersion |
60?° |
|
|
|
| |
|
Depth 204mm |
|
Weight |
7kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£16 |
| Quantity in hire stock |
2 |
|
|
|
Weekend |
£32 |
| |
|
|
|
|
|
|
|
|
Week |
£48 |
| |
|
|
|
|
|
|
|
|
Month |
£182 |
| |
|
|
|
|
|
|
|
|
|
| D&B B2 Sub |
|
|
|
|
|
|
 |
| The B2 is d&b's largest subwoofer and with its high output bandpass horn design and extremely high SPL it is ideal for extended bass requirements. It is configured to be an infrabass unit for the C7 system. When used with a C7 system, d&b recommend a ratio of four C7-SUBs to one B2. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 18" |
2 |
37Hz - 100Hz |
139dB |
600W RMS |
4 |
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 1160mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 580mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 920mm |
|
Weight |
102kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£26 |
| Quantity in hire stock |
2 |
|
|
|
Weekend |
£52 |
| |
|
|
|
|
|
|
|
|
Week |
£78 |
| |
|
|
|
|
|
|
|
|
Month |
£296 |
| |
|
|
|
|
|
|
|
|
|
| Bose 802 MKII/III |
|
|
|
|
|
|
 |
| This hallmark Bose? professional loudspeaker has been re-engineered for better performance, versatility and durability. Eight proprietary 4.5-inch full-range drivers and active EQ help deliver vocals and instruments with smoothness and warmth at high or low SPL.
Requires Panaray Controller. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 4.5" |
8 |
55Hz - 16kHz |
91dB |
240W RMS |
8 |
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 330mm |
|
Nominal |
120?° |
|
|
|
| |
|
Width 520mm |
|
Dispersion |
100?° |
|
|
|
| |
|
Depth 320mm |
|
Weight |
14kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£9 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£18 |
| |
|
|
|
|
|
|
|
|
Week |
£27 |
| |
|
|
|
|
|
|
|
|
Month |
£102 |
| |
|
|
|
|
|
|
|
|
|
| Martin LE400C |
|
|
|
|
|
|
 |
| The high power LE400C is part of the family of the hugely successful industry standard Martin LE wedge monitors. Bi Amp or Passive. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 15" |
1 |
40Hz - 18kHz |
98dB |
300W RMS |
8 |
|
|
| 1 |
1 |
Passive/Active |
106dB |
|
8 |
|
|
| Dimensions |
Height 470mm |
|
Nominal |
40?° |
|
|
|
| |
|
Width 660mm |
|
Dispersion |
70?° |
|
|
|
| |
|
Depth 554mm |
|
Weight |
32kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£16 |
| Quantity in hire stock |
8 |
|
|
|
Weekend |
£32 |
| |
|
|
|
|
|
|
|
|
Week |
£48 |
| |
|
|
|
|
|
|
|
|
Month |
£182 |
| |
|
|
|
|
|
|
|
|
|
| Ohm TRS112 |
|
|
|
|
|
|
 |
| The TRS 112 can be used as both a floor monitor or a front of house system, this is achieved by a cleverly designed cabinet profile. Equally at home as a full range
enclosure or incorporated into two-way systems as mid high packs in a sub/sat
system. Daisy-chain connecton is facilitated by the provision of four connectors,
to each side of the cabinet. Multi tasking is made complete by the built-in flying
points and aluminum top hat. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 12" |
1 |
80Hz - 20kHz |
101dB |
250W RMS |
8 |
|
|
| 1 |
1 |
Passive |
|
|
|
|
|
| Dimensions |
Height 575mm |
|
Nominal |
90?° |
|
|
|
| |
|
Width 398mm |
|
Dispersion |
40?° |
|
|
|
| |
|
Depth 295mm |
|
Weight |
23kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£12 |
| Quantity in hire stock |
8 |
|
|
|
Weekend |
£24 |
| |
|
|
|
|
|
|
|
|
Week |
£36 |
| |
|
|
|
|
|
|
|
|
Month |
£136 |
| |
|
|
|
|
|
|
|
|
|
| Ohm TRS218 |
|
|
|
|
|
|
 |
| The TRS 218 although not dedicated, this enclosure ideally matches the TRS-112 seamlessly as a sub/sat system. This twin eighteen benefits from both a horn loaded reflex design and band pass technology, to deliver gut wrenching bass. It too boasts a killer SPL figure ,
136dB maximum SPL. Requires CRED Controller. |
 |
| |
|
|
|
|
|
|
|
|
| Driver |
Qty |
Frequency |
Sensitivity |
Power |
Nominal |
|
|
| |
|
Band |
(1w @1m) |
Handling |
Impedance |
|
|
| 18" |
2 |
30Hz - 300Hz |
106dB |
1000W RMS |
4 |
|
|
|
|
|
|
|
|
|
|
| Dimensions |
Height 580mm |
|
Nominal |
N/A° |
|
|
|
| |
|
Width 1160mm |
|
Dispersion |
N/A° |
|
|
|
| |
|
Depth 750mm |
|
Weight |
79kg |
|
|
|
| |
|
|
|
|
|
|
|
|
Day |
£20 |
| Quantity in hire stock |
4 |
|
|
|
Weekend |
£40 |
| |
|
|
|
|
|
|
|
|
Week |
£60 |
| |
|
|
|
|
|
|
|
|
Month |
£228 |
| |
|
|
|
|
|
|
|
|
|